God's (n.) only excuse is that he does not exist.
God (n.) without man is no more than man without God.
God (n.) is not worth the little time a condemned man has left.
God (n.) would have one sole usefulness: to guarantee innocence.
God (n.) who neither rewards nor punishes, who turns a deaf ear, is the rebel's only religious conception.
God (n.) is man's self-love — his mystery is only the mystery of the love of man for himself.
God (n.) does not exist, says the old man, since otherwise there would be no need for priests.
God (n.) and His responsibility must be denied — only thus will we deliver the world.
God (n.) for Lautreamont is not dead but fallen — rolling drunk in the gutter, enthroned on excrement.
God (n.) was rejected by the romantics on the principle of hatred; Ivan rejects Him on the principle of love.
God (n.) of rebellion, until Dostoevsky and Nietzsche, was a capricious divinity who preferred Abel's sacrifice to Cain's for no convincing reason and so provoked the first murder.
God (n.) is negation for the existentials — maintained only through the negation of human reason; like suicides, gods change with men.
God (n.) is recaptured through what negates him in K.'s last attempt — recognized behind the empty and hideous aspects of his indifference, injustice, and hatred.
God (n.) is the master the Christian slave gives himself when he takes refuge in the world beyond to deny what oppresses him — if the master really existed, he would be God.
God (n.) for the metaphysical rebel exists only at the instant He is called into question — dragged from His refuge outside time into history, where He shares our humiliating adventure.
God (n.) is primarily the master of death, if He exists; so the man who wants to become God arrogates the power of life and death — and becomes not God but the ignoble servant of death.