288 definitions
The book's index
The Holy Family
193 concepts · 288 definitions
- Critical Criticism15
- love9
- speculative philosophy7
- proletariat5
- critic4
- materialism4
- philosophy4
- progress4
- bourgeois society3
- freedom3
- G.W.F. Hegel3
- history3
- idea3
- poverty3
- private property3
- punishment3
- sensuality3
- speculation3
- absolute idealism2
- alienation2
- atheism2
- criticism2
- error2
- freedom of contract2
- God2
- idealism2
- labor-time2
- landed property2
- law2
- man2
- mass2
- matter2
- metaphysics2
- morality2
- mystery2
- Napoleon2
- passion2
- phenomenology2
- Pierre-Joseph Proudhon2
- political emancipation2
- religion2
- reward2
- Rights of Man2
- self-criticism2
- society2
- state2
- talent2
- vice2
- virtue2
- absolute knowledge1
- absolute spirit1
- abstraction1
- adultery1
- alchemy1
- alms1
- ambition1
- anarchy1
- antithesis1
- artist1
- atom1
- bourgeoisie1
- buying1
- capital1
- capital punishment1
- censor1
- charity1
- Christianity1
- civil society1
- civilization1
- class interest1
- class-consciousness1
- clumsiness1
- common sense1
- cooperation1
- cosmopolitanism1
- creation1
- crime1
- critical history1
- damnation1
- dancing1
- death penalty1
- deism1
- disciple1
- economist1
- enthusiasm1
- environment1
- equality1
- equality before the law1
- excuse1
- experience1
- fidelity1
- force1
- fortune1
- French materialism1
- French Revolution1
- good and evil1
- good man1
- goodness1
- grace1
- great1
- grisette1
- hatred1
- having1
- Hegelianism1
- Holy Family1
- Homer1
- honesty1
- hypocrisy1
- impartiality1
- indignation1
- industry1
- infallibility1
- infinity1
- Inquisition1
- isolation1
- label1
- land1
- laughter1
- liberalism1
- Louis Antoine de Saint-Just1
Critical Criticism (n.) becomes real to itself only against its opposite, stupidity — and so must continually produce that stupidity for itself.
Critical Criticism (n.) holds that criticism is not a manifestation of man; man is an alienation of Criticism — which is why the critic lives entirely outside society.
Critical Criticism (n.) so loved the mass that it sent its only begotten son — and became socialist, and spoke of 'works on pauperism'.
Critical Criticism (n.) is theology returned to itself: God and man become the Critic and the mass, and the religious redeemer of the world becomes real at last as Herr Bauer.
Love (n.) is what first teaches a man to believe in the world outside himself: it makes man into an object, and even the object into a man.
Love (n.) has its greatest charm in the forbidden fruit: take away the fears, the dangers and the secrecy and almost nothing is left — 'if I married my mistress, where would I spend my evenings?'
Love (n.) is the maid from a foreign land with no dialectical passport, so the Critical police expel her: no one can deduce in advance where she came from or where she goes.
Love (n.) is an un-Critical, un-Christian materialist: it does not stay immured in the brain but wants a beloved who is sensuously there.
Speculative philosophy (n.) takes real apples, pears and almonds, forms the idea 'Fruit', then declares that Fruit is the true substance and that being a pear is inessential to the pear.
Speculative philosophy (n.) performs a miracle each time it says there are apples and pears: it creates them out of its own abstract reason, which it takes for an Absolute Subject outside itself.
Speculative philosophy (n.) has a recipe: abstract 'the Animal' from lion, shark and pug; note that the Animal, which in the lion tears man apart, only barks in the pug; cane the pug — and Man has become master of the Animal and defeated the lion.
Speculative philosophy (n.) applied to minerals makes its whole science that every mineral is really 'the Mineral', repeated as many times as there are minerals.
The Proletariat (n.) executes the sentence that private property passes on itself by producing it.
The Proletariat (n.) is private property's restlessness within itself: compelled to abolish itself, and in doing so to abolish the property that makes it proletarian.
Proletariat (n.) cannot emancipate itself without abolishing the conditions of its own life — and those cannot go without all the inhuman conditions of society that are summed up in them.
Proletariat (n.) does not become the absolute side of society by winning; it wins only by abolishing itself along with its opposite.
Progress (n.) has so far been the Spirit's progress against the mass of mankind, driving it into an ever more dehumanized condition.
Progress (n.) step by step proves nothing: I can go step by step and arrive at the very point from which I set out.
Progress (n.) finds its enemies outside the mass in the mass's own products of self-debasement, grown independent, so that fighting them is like man turning against God and thereby against his own religiosity.
Progress (n.) is an empty category: to save it despite constant retrogressions and circles, one must invent a personal adversary to blame.
Materialism (n.) leads necessarily to communism: if man draws all he knows from the world of the senses, then the empirical world must be arranged so that he experiences what is truly human in it.
Materialism (n.) perfected by speculation itself coincides with humanism, Feuerbach in theory and French and English communism in practice.
Materialism (n.) had to chastise its own flesh and turn ascetic in order to beat fleshless spiritualism on its own ground, and with Hobbes it loses its poetic blossom and takes to misanthropy.
Materialism (n.) is the natural-born son of Great Britain: the schoolman Duns Scotus already asked whether matter could think, and made theology preach materialism by appealing to God's omnipotence.
Philosophy (n.) imagined it had left real human beings far below it; but because it was not really different from the world, it could pass no real judgment on it — it was over-practical only in the sense that it soared above practice.
Philosophy (n.) is speculative and mystical empiricism — and must come down from the heaven of speculation into the depths of human misery.
Philosophy (n.) was predestined, on this account, to fulfil the heart's desire of the mass: simple concepts so as to have nothing to do with the thing itself, and shibboleths so as to be finished with everything from the start.
Philosophy (n.) has so far been nothing but the abstract expression of the existing state of things, captive to premises it accepted as absolute.
Critic (n.) describes himself as knowing neither friendship nor love, beyond the reach of calumny — a divine person free of all human passions, who can sing with the nun that he thinks not of a lover but of God the Father.
Critic (n.) who cannot master this clumsy world reads his own ill-humour as the world's discontent with itself — and his indignation at mankind as mankind's indignation at him.
The Critic (n.) sets a question correctly in respect of his own ability to answer it.
A Critic (n.) must ask not whether he can live in the society he criticizes but whether he must — and why he sells the products of his mind, making the worst law of that society his own.
Idea (n.) can never lead beyond an old world order, only beyond the ideas of the old order; ideas carry out nothing at all — for that you need men who can exert practical force.
An Idea (n.) has always disgraced itself insofar as it differed from interest.
Idea (n.) are but phantoms of the real world, more or less stripped of their sensual form, once all knowledge is taken to come from the senses, and philosophy can only name them.
History (n.) does nothing: it possesses no immense wealth and wages no battles. It is real, living man who does all that; history is nothing but the activity of man pursuing his aims.
History (n.) cannot be known without its industry, the immediate mode of production of life itself; the spiritualist sees its origin not in vulgar material production on earth but in vaporous clouds in the heavens.
History (n.) turned into a person apart makes real human individuals its mere bearers.