Imitation (n.) is an inferior thing that consorts with an inferior thing to produce an inferior offspring.
Imitation (n.) can produce everything precisely because it touches only a small part of each thing, and that part only an image.
Imitation (n.) is making oneself like someone else in voice or appearance — the poet who speaks as Chryses hides himself inside the old priest.
Imitation (n.) splits along the most important line there is: between those who know what they imitate and those who don't.
Imitation (n.) is never to be judged by the pleasure it gives or by what people wrongly think of it, but by its accuracy alone.
Imitation (n.) practiced from youth becomes nature, settling into habits of gesture, voice, and thought — enjoy imitating the slavish and you come to enjoy the reality.
Imitation (n.) finds nothing beneath the inferior man: before a crowd he will seriously imitate thunder, hail, axles, pulleys, trumpets, dogs, sheep and birds.
Imitation (n.) is the young man's road to power under a tyrant — copy the master's likes and dislikes — and to a soul corrupted and mutilated by the copying.
Imitation (n.) is the most skilful and engaging of games: the claim to make sea, earth, heaven, gods and everything else, quickly and at a low price.
Imitation (n.) is inescapable: whoever welcomes depraved characters with pleasure, scolding them only half-heartedly, takes on the character of what he enjoys, good or bad.
Imitation (n.) is what breaking the law for a better result amounts to: done without knowledge, it copies the expert badly; done with knowledge, it is no longer imitation but the real thing.
Imitation (n.) is unavoidable: no one can consort with what he admires without imitating it, so the one who studies the ordered, unchanging things that neither do nor suffer injustice becomes as like them as he can.