Scapegoat (n.) is chosen for some trivial reason, yet seems utterly unique — singled out by the hatred heaped on it and by the peace its death brings.
Scapegoat (n.) can purge a whole community of violence and leave no residue, precisely because the conflict never had an object.
Scapegoat (n.) is the one phrase only our society has: we know it both as a rite in Leviticus and as a spontaneous psychological mechanism — an insight no other culture reached.
Scapegoat (n.) is truest when no one sees it as one: real scapegoats are those whose guilt their killers never doubt.
Scapegoat (n.) is the mechanism of symbolic thought — of human thought itself.
Scapegoat (n.) began as a mistranslation: the Hebrew says only "destined for Azazel," a desert demon, which the Greek made "one who wards off illness" and the Latin caper emissarius.
Scapegoat (n.) has no word in Japanese in its modern sense; the double meaning — ritual and spontaneous blaming — exists only in languages shaped by the long Western deciphering.
Scapegoat (n.) of everyday speech already holds the one theory of religion ethnology never proposed — written into Western languages for two or three centuries.
The Scapegoat (n.) is found for epidemics before the epidemic has even arrived, since the hunt is fed by fear and not by evidence.
The Scapegoat (n.) is the bridge the stereotyped accusation builds between the smallness of one victim and the vastness of society, making it credible that one weak person could wreck everything.
The Scapegoat (n.) is accused of the crisis in miniature: the social bond that the epidemic loosens, he is said to have wholly destroyed.
The Scapegoat (n.) may be really guilty and still a scapegoat: even a real crime does not remove the distortion, the leap from one deed to the blaming of all harm on one person.
The Scapegoat (n.) means three things at once in common use: the victim's innocence, the crowd's polarisation against him, and the collective result of that polarisation.
Scapegoat (n.) is a word that proves we are not taken in by the persecutor's account, and that, repeated by everyone, loses its exact meaning.
The Scapegoat (n.) cures only the human relations, never the plague, but by eliminating those relations' poison he seems to cure the external disaster too.
The Scapegoat (n.) at the higher level is no passive receptacle of evil but the mirage of an omnipotent manipulator who holds the plague to dispose of as punishment or reward.
The Scapegoat (n.) ends the reciprocal violence by becoming everyone's other: all converge on a victim only slightly more attractive than the rest, and the group is suddenly unanimous.
The Scapegoat (n.) extinguishes the desire for revenge in the survivors, since only the scapegoat could want to be avenged and he is in no position to be.
The Scapegoat (n.) appeared in its structural sense at the start of the modern era and never meant a rite or motif but the unconscious mechanism of persecution.
The Scapegoat (n.) is the spontaneous agent of reconciliation: he unites against himself those who were arrayed against each other by weaker mimeticism.