300 definitions
The book's index
Specters of Marx
214 concepts · 300 definitions
- absolute hospitality1
- abstraction1
- active forgetting1
- age1
- anachrony3
- analysis1
- animality1
- apparatus1
- apparition1
- appropriation1
- arrivant3
- autoimmunity1
- automaton1
- autonomy1
- awaiting1
- barbarism1
- barricade1
- Being1
- cadaver1
- capital2
- certainty1
- cogito1
- commodity6
- commodity fetishism1
- communism2
- confession1
- conjuration4
- conjuring trick2
- contretemps1
- counter-sophistics1
- crisis1
- crypto-Marxist1
- Dasein1
- dead3
- death1
- debt1
- decision1
- declaration1
- deconstruction2
- democracy1
- democracy to come1
- dialectical materialism1
- differance1
- dignity1
- Dike1
- domination1
- economic oppression1
- ego1
- empirical event1
- empty place1
- end of history1
- enlightenment1
- ethics1
- event3
- exappropriation2
- exchange-value2
- exorcism2
A Specter (n.) sees us before we see it: the ghost looks at us from the other side of the eye.
A Specter (n.) testifies to a living past or a living future, and no one can be sure which.
A Specter (n.) is the frequency of a certain visibility: the visibility of the invisible, which is never seen.
A Specter (n.) is the phenomenal body of the spirit, its fallen and guilty body, and also an impatient waiting for a redemption.
A Ghost (n.) has a place outside all place: it lodges in the head only to be repulsed outside it.
A Ghost (n.) never dies: it remains always to come and to come-back.
A Ghost (n.) is the one who does not recognize itself in a mirror.
A Ghost (n.) is always looking at me; seeing ghosts is a technique for making oneself seen by them.
The Commodity (n.) stands on its head, and evolves out of its wooden brain grotesque ideas, more wonderful than a table dancing of its own free will.
A Commodity (n.) is a thing without phenomenon, a thing in flight that surpasses the senses, and keeps a bodiless body.
The Commodity (n.) has a secret at once profound and superficial, since no substantial essence hides behind it.
The Commodity (n.) is a mirror that phantomalizes because it naturalizes: it shows by hiding.
Justice (n.) is desirable on the basis of the terrible possibility of the impossible: through but also beyond right and law.
Justice (n.) is the incalculable gift to the other, beyond restitution, calculation and the economy of vengeance.
Justice (n.) is given up as soon as one renounces the experience of the impossible, and the event goes with it.
Justice (n.) is what stays undeconstructible: an idea kept apart from law, right and even human rights.
An Inheritance (n.) is never one with itself, and one always inherits from a secret that says read me.
An Inheritance (n.) keeps a secret: the secret of a crime, the secret of its very author.
Inheritance (n.) consists, as always, in borrowing: figurality is the figure of borrowing.
An Inheritance (n.) is always the reaffirmation of a debt, though a selective and filtering one.
Conjuration (n.) is anxiety from the moment it calls upon death to invent the quick and to enliven the new.
Conjuration (n.) is an oath sworn in secret and a spell at once: an appeal that makes come what is not there.
Conjuration (n.) is meant to conjure away: it summons only in order to drive out.
Conjuration (n.) is very old and very new at once, powerful and yet worried, fragile, anxious.
A Revenant (n.) seems to come from the earth and return to it, from a buried clandestinity, as to the lowest.
A Revenant (n.) is no longer a return but an arrivant, a guest to whom a hospitable memory must offer welcome.
The Revenant (n.) is a persecution: it was the persecution of Marx, as it was that of Stirner.
A Revenant (n.) is always called upon to come and to come back.
Mourning (n.) that cheers its own victory has not mourned at all: it is the manic phase of a work that never finishes.
Mourning (n.) is not one kind of work among others; it is work itself, work in general.
Mourning (n.) can become the work of mourning without work: a narcissistic conversion that mourns the ghosts one had already lost oneself in.
Mourning (n.) consists always in attempting to ontologize remains, to make them present, and to localize the dead.
Hauntology (n.) names a medium that is neither living nor dead, present nor absent, and so comes before ontology.
Hauntology (n.) builds haunting into every concept, beginning with being and time.
Hauntology (n.) is a logic of haunting that would be larger than ontology and would hold eschatology and teleology within it.
Dead (n.) must be able to work, and to be made to work, perhaps more than ever.
Dead (n.) have never buried anyone; it will always be the still living mortals who bury the already dead living.
Dead (n.) can often be more powerful than the living.