Madness (n.) is a deviation from the norm which once revered and praised is now thought to demand institutionalization and curing.
Madness (n.) is constituted first as a form of unreason held at a distance by reason as a necessary condition for it to come into view as an object of study.
Madness (n.) proclaims its own meanings in its own wild and untamable world. In its chimeras it utters its secret truth.
Madness (n.) was everywhere in the renaissance, but in the classical period, it become a thing to look at: No longer a monster inside oneself, but an animal with strange mechanisms, a bestiality from which man had long since been suppressed.
Madness (n.) is the absolute break with the work of art... it forms the constitutive moment of abolition, which dissolves in time the truth of the work of art.
Madness (n.) is the déjà-vu of death.