The Body (n.) is a field for political intervention that arose out of a metaphor for politics which in the 18th century ceased to be a metaphor.
The Body (n.) is also directly involved in a political field. . . . Power relations have an mediate hold upon it... they invest it, mark it, train it, torture it, force it to carry out tasks, to perform ceremonies, to emit signs.
The Body (n.) is an element to be managed in relation to economic and social management.
The Body (n.) is an entity which, over the past three centuries, has been placed under increasingly meticulous (albeit less physical and more societal) controls.
The Body (n.) is an essential component for the operation of power relations in modem society. It has thus become important to understand how the body has been used as an integral component of the spread and localization of modern power.
The Body (n.) is an object that we can read in order to determine how fields of power are organized during moments in history: Its movements, its postures, its positionality reveal the discursive forces that have shaped it.
The Body (n.) is, in every aspect, totally modifiable given the appropriate techniques. It is the place where the most minute and local social practices are linked up with the large scale organization of power.
The Body (n.) is not just the locus of subjectivity, it is the condition of subjectivity. This is because subject production is an effect of power, and power operates and functions through the materiality of the body.
The Body (n.) is not just the passive, inert target of power's operations. It is also, through the reinvention of the body, the site of and instrument of resistance.
The Body (n.) is not simply given meaning by discourse, it is wholly constituted by discourse. The body vanishes as a biological entity and becomes instead a socially constructed product which is infinitely malleable and highly unstable.
The Body (n.) is the inscribed surface of events (traced by language and dissolved by ideas), the locus of a dissociated self (adopting the illusion of substantial unity), and a volume in disintegration.
The Body (n.) is the site for the cultural inscription of values.