382 definitions
The book's index
Tao: The Watercourse Way (with Al Chung-liang Huang)
288 concepts · 382 definitions
- abstraction1
- accommodation1
- aesthetics1
- age of perfect virtue1
- aikido1
- alphabet1
- analysis1
- anarchism1
- art of life2
- art school1
- artificiality1
- babble of thought1
- beauty2
- beheading1
- birth1
- body3
- bootstraps1
- brain1
- breath1
- Buddhism1
- bureaucracy1
- butterfly dream1
- calligraphy3
- calm1
- carpenter1
- causality2
- center2
- ceremony1
- chaos2
- childbirth1
- Chinese1
- civilization1
- clarity1
- cleverness1
- complexity1
- computer1
- confidence1
- conscious attention1
- conscious control1
- consciousness2
- contemplation2
- control1
- counterfeit1
- craftsmanship1
- culture1
- death2
- definition1
- dependent origination1
- description1
- desire2
- destiny1
- direct pointing1
- distinction1
- divination1
- double helix1
- dragon1
- dread1
- dream1
- drunkard1
- duality1
Tao (n.) does nothing, yet nothing is left undone.
Tao (n.) is a dimension of ourselves that slips past us by being too near, too general and too all-embracing to single out — and since we are aware, it cannot be unconscious, though we are never conscious of it.
Tao (n.) is just a name for whatever happens — in Lao-tzu's words, what happens of itself.
Tao (n.) escapes us because it is ourselves — like a sword that cuts but cannot cut itself, an eye that sees but cannot see itself.
Te (n.) is, at root, power used without force and without undue meddling — entering the forest without moving the grass, the water without raising a ripple.
Te (n.) often goes unnoticed because it looks so ordinary — a spiritual camouflage, like the protective coloring of a moth.
Te (n.) is virtue in the sense of a plant's healing virtues, not moral rectitude — a power, even a magic, of good things happening by themselves.
Te (n.) means, in its oldest ideogram, going along with eye and heart united — the navigator watching the stars, the sailor reading currents and winds.
Wu wei (n.) is rolling with experiences and feelings like a ball in a mountain stream — except that there is no ball apart from the stream's own swirls and wiggles.
Wu wei (n.) is not avoiding effort: the judo player uses muscle, but only at the right moment, when the opponent has lost his balance.
Wu wei (n.) is not laziness, laissez-faire or mere passivity but not forcing: going with the grain, rolling with the punch, trimming sails to the wind, stooping to conquer.
Wu wei (n.) is a form of intelligence: knowing the grain of human and natural affairs so well that you spend the least energy dealing with them.
Government (n.) is at bottom an abandonment of responsibility, on the assumption that someone other than ourselves really knows how to manage things.
Government (n.) of a large country should be done the way you cook a small fish: lightly.
Government (n.) run ostensibly for the people becomes a self-serving corporation that multiplies laws and demands so much paperwork that the record of what was done matters more than what was done.
Government (n.) of a state is like cooking a small fish: don't turn it so often in the pan that it falls apart.
Universe (n.) is the only single event there is.
Universe (n.) is not a linear system: translating even one moment of its workings into a line of words would take incalculable aeons.
Universe (n.) is, for the Taoist, not a set of external objects to subdue but oneself — so Lao-tzu could know the whole of it without leaving his house.
Universe (n.) came into being together with us; with us, all things are one.
Force (n.) that is forced isn't true Force — Watts's own playful translation of the Tao Te Ching's opening line.
Force (n.) spent on improving the world and ourselves, whether physical or moral, is energy squandered that could have gone into things that can actually be done.
Force (n.) is trusted by those who think it can achieve anything — like the Texan who harnessed a kitten to his broken Cadillac because he had a horsewhip.
Force (n.) is what people resort to only because they don't realize it can't be done — there is no way to step out of the watercourse of nature.
Water (n.) never makes an aesthetic mistake: in the wave, the flying spray or the merest trickle, its flow is always graceful.
Water (n.) is the blood of the Earth, flowing through its muscles and veins — something spiritual, with complete faculties.
Water (n.) is the weakest thing in the world, yet nothing is better at overcoming the hard.
Water (n.) is the essence of life and Lao-tzu's favorite image of the Tao — and who can straighten it out?
Nature (n.) has its own fit: curved things need no arcs, straight things no lines, round things no compasses, things that stick no glue.
Nature (n.) was, for the old swimmer of the cataract, simply habit grown deep enough: he grew up on the water and fitted himself to it.
Nature (n.) does not boast about being nature, and water holds no conferences on the technique of flowing.
Nature (n.) at any moment is a simultaneity of patterns, which is why a picture-language sits a little closer to it than an alphabet.
Sage (n.) gets by with a perfect appearance of imperfection, like the gnarled pines and craggy hills of Chinese painting.
Sage (n.) who would transform the world does not teach men house by house; he takes water as his key — pure water, easy hearts.
Sage (n.) is cold as autumn and warm as spring, his joy and anger arriving as naturally as the four seasons.
Sage (n.) as ruler takes no action and the people reform themselves; uses no force and they grow rich.
World (n.) feels wayward, dangerous and hostile — down to one's own whims and moods — yet it is actually one's own being and doing; and the feeling that it isn't is part of it too.
World (n.) runs away from us the harder we try to grasp and control it; study its details and it only shows more details to study.
World (n.) is a sacred vessel that will not be forced: force it and you spoil it, grasp it and it slips away.