737 definitions
The book's index
Of Grammatology
358 concepts · 737 definitions
- absence1
- absolute knowledge1
- accent3
- accident1
- active forgetfulness1
- actor1
- agent1
- algebra1
- alphabet3
- always already2
- amor fati1
- animal1
- animality1
- anthropologist1
- anthropology2
- après coup1
- arcanum1
- archaeology1
- arche-trace2
- arche-violence1
- arche-writing6
- articulation5
- aufhebung1
- auto-affection3
- autoerotism1
- Being6
- binary opposition1
- blank1
- blindness1
- blink1
- body1
- body politic1
- book1
- book of nature2
- botany1
- bricolage5
- brisure1
- capital1
- centrism1
- characteristic1
- child4
- childhood3
- Chinese writing3
- chromatic1
- clergy1
- closure1
- color1
- communication1
- comparison2
- compensation1
- concealment1
- conceptual opposition1
- condensation1
- conscience1
- consciousness2
- consciousness of death1
- consonant2
- continuity1
- convention1
- conversation1
- conviction1
- copyist2
- critique of ethnocentrism1
- cruelty1
- cuneiform1
- cure1
- cybernetics1
- dangerous book1
- dangerous supplement1
- Dasein1
- dead time1
- death5
- death of the book1
- deconstruction4
- decree1
- deferred effect1
- deferred presence1
- degradation1
- depresentation1
- desire3
- dialectic1
- dictionary1
- differance10
- difference3
- discourse1
- dispersion1
- dissemination2
- double-bind1
- dream6
- dream-work1
- dualism1
Writing (n.) is the origin of inequality: it is the moment the general will, which cannot err by itself, gives way to judgment.
Writing (n.) is what opens meaning and language: the disappearance of natural presence.
Writing (n.) is not a guise for language but a dis-guise, a festival mask that must be warded off by the good word.
Writing (n.) seems to favor the exploitation of mankind rather than its enlightenment, and on its first appearance it allied itself with falsehood.
The Supplement (n.) is the first and surest protection against the very menace it poses; that is why it cannot be given up.
The Supplement (n.) is dangerous: an aid added to a thing that can quietly take its place.
The Supplement (n.) can be as natural as a gesture or as artificial as speech; the substitute comes before the split between nature and culture.
The Supplement (n.) needs a new logic, unless writing was never a simple supplement at all.
Presence (n.) is possible only because its privation is the condition of experience.
Presence (n.) can be articulated only if fragmented into discourse; castration and dismemberment are both a menace to discourse and its condition.
Presence (n.) is absence: the positive is the negative, life is death, and this repetitive supplementarity is caught in no dialectic.
Presence (n.) is always a receiving of pleasure, and whatever dislocates it introduces delay, a spacing between desire and pleasure.
Language (n.) is already eaten by writing: its accents are gnawed through by consonants, so its corpse is in our speech, not in the book.
Language (n.) is neither prohibition nor transgression; it couples the two endlessly.
Language (n.) may have been only a moment, a mode, a species of writing, which we came to forget in the course of one adventure.
Language (n.) is not merely a sort of writing but a species of writing, founded on the general possibility of writing.
Speech (n.) never gives the thing itself; it gives a simulacrum that touches us more deeply than the truth.
Speech (n.) feels like self-presence because its sound seems to hold no difference, so the voice passes for thought.
Speech (n.) draws from a stock of writing, noted or not, that language is; its complicity with writing is revealed by the reduction of the phone.
Speech (n.) is originarily passive, relating to a past that no reactivation of the origin can fully master.
The Trace (n.) itself does not exist: writing is one representative of the trace in general, not the trace itself.
The Trace (n.) is primary: the Unconscious holds no thing, only the possibility that one particular path will be energized.
The Trace (n.) is the mark of an absent presence: an always already absent present at the origin, the lack that makes thought and experience possible.
The Trace (n.) is not only the disappearance of origin; the origin was never constituted except by a nonorigin, which thus becomes the origin of the origin.
Differance (n.) produces what it forbids, and makes possible the very thing it makes impossible.
Differance (n.) is the pure trace: the condition of every sensible plenitude, not a thing that depends on one.
Differance (n.) is the unnameable movement of difference itself, strategically nicknamed trace, reserve, or differance.
Differance (n.) is supplementarity as structure: the complexity within which presence and absence can only be shaped or shifted, and within which metaphysics can be produced but cannot think.
Truth (n.) is reached through forgetting: men lie by convention without noticing, and that unconscious lie becomes a sense for truth.
Truth (n.) may be a woman who has reasons for not letting us see her reasons.
Truth (n.) has always been assigned to the logos, so its history is the debasement of writing and its repression outside full speech.
Truth (n.) is the kind of error without which a certain species of living being could not live.
The Text (n.) can remain open, proffered and indecipherable, even without our knowing that it is indecipherable.
A Text (n.) has no strict author: there is not, strictly speaking, a text whose author or subject is Jean-Jacques Rousseau.
A Text (n.) transgresses its own laws at the moment that cannot be unravelled, and that moment is where it can be deconstructed.
The Text (n.) has no stable identity, no stable origin and no stable end; each reading of it is a preface to the next.
The Proper name (n.) has never been a unique appellation for a unique being, only a myth of transparent legibility under obliteration.
A Proper name (n.) is never really given: one classifies someone else by a rule, or names them freely and so classifies oneself.
The Proper name (n.) is erased in every system, and that erasure is already writing.
The Proper name (n.) is always caught in a chain of differences, and it becomes an appellation only by inscribing itself within a figuration.