Censorship (n.) today intervenes less to silence subversive voices than to enhance the efficiency of the power discourse itself.
Censorship (n.) splits the power discourse itself: the military community can operate only by censoring its own libidinal foundation.
Censorship (n.) can show deep insight: Yugoslavia's socialist censor cut only "Climb Every Mountain" from The Sound of Music, sensing Catholicism's true danger.
Censorship (n.) licenses dirty fantasy: precisely because you are covered by the clean official story, you may indulge fantasies that do not count in the eyes of the big Other.
Censorship (n.) is not secretly subversive: the perverse by-products it generates do not threaten domination but are its inherent transgression, its unacknowledged obscene support.
Censorship (n.) under the Hays Code made the hole where the sex act should be into a device: in Miracle of Morgan's Creek, Betty Hutton's blank night ends in sextuplets — six companions that fateful night.