Perversion (n.) is a dodge from one's own inner split: the subject makes itself an object, a tool for the Other's enjoyment.
Perversion (n.) is père-version, a version of the father: the Fritzl cellar materialized the fantasy of total paternal domination beneath a normal house.
Perversion (n.) is père-version: the Fritzl house — a 'normal' family upstairs held up, literally and libidinally, by a windowless cellar of total domination and unlimited jouissance.
Perversion (n.) has its own narrative form: where the hysteric tells the linear story of origins, the perverse narrative stays stuck in the same place and repeats itself indefinitely.
Perversion (n.) is inscribed in censorship: avoiding the act displaces it onto a supplementary object — undressing becomes dressing, the living the dead, copulating killing — and makes it worse.
Perversion (n.) is desubjectivization: the subject escapes its constitutive split by making itself the direct instrument of the Other's will — the soldier who answers "Yes" without asking why.
Perversion (n.) answers the nonexistence of the big Other two ways: by setting up a law artificially to take it seriously, and by codifying its transgression.
Perversion (n.) is defined not by weird sexual practices but by a relation to truth: the pervert claims direct access to the big Other's will — God, History, his partner's desire — and acts as its instrument; bin Laden and Bush share this structure.