Definitions HQ

The Drive (n.) in ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠Freud is the paradox of wanting unhappiness — finding excess pleasure in suffering itself, the pursuit of unhappiness.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the closed circular palpitation that finds satisfaction in endlessly repeating the same failed gesture.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠Prešeren's unputrefied heart: the poet's corpse exhumed years later, everything decayed except the heart, still full of red blood and palpitating in a mad rhythm.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠meta-physical not by being beyond the physical but by involving another, sublime materiality beneath spatio-temporal reality — the primordial Other of our bodies is not Spirit but undead matter.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠acephalous knowledge that brings satisfaction — without any relation to truth or a subject who speaks it.

A Drive (n.) does ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not take the whole person into account, only the partial object it circles; desire aims at the subject, the void at the core of the other's subjectivity.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠where the loss itself is lost: no more infinite longing for the lost object — which is why Humoresque is strangely joyous and exuberant, free of flabby romantic longing.

A Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠what lies beyond fantasy: no sublime yearning there, only the pulsation around the sinthome.

The Drive (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠desire turned from the object that masks the void to the object that stands in for it.

The Drive (n.) separates ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠aim from goal: fed through a drip, my hunger is satisfied but not my oral drive; a child sucking a comforter gets only the drive.