An Aspect (n.) is like a new garment put on a figure again and again, each garment the same: I clothe the figure with the interpretation.
An Aspect (n.) seems detached from seeing only through its change, as if after the switch one could say: so there was an aspect there!
An Aspect (n.) can flare up, as music can be played with more or less intense expression.
An Aspect (n.) is always also a conception.
An Aspect (n.) noticed for the first time calls out ah, a rabbit! — its natural, primitive expression might be an exclamation, or a lighting up of the eyes.
An Aspect (n.) is subject to the will: see it as... makes sense where see it red does not — so an aspect teaches nothing about the world.
An Aspect (n.) is something that dawns, but does not stay — a conceptual remark, not a psychological one.
An Aspect (n.) is expressed as a way of taking, a technique, used as the description of a state.
An Aspect (n.) is seeing something into a picture that is not in the figure at all.
An Aspect (n.) can be one only in a world of thoughts.
An Aspect (n.) is noticed only when it changes, as someone without absolute pitch hears only a change of note.
An Aspect (n.) summoned by thought is like the inarticulate reverberation of a thought.
An Aspect (n.) is like a value that can be the limit of different series; a triangle can really serve as a mountain or an arrow.
An Aspect (n.) is tied to imagination: someone blind to surface and base might lack, not absurdly, the power of imagination.
An Aspect (n.) presents a physiognomy that then passes away, as if a face were there that I first imitate and then accept without imitating.
An Aspect (n.) is subject to the will — see this circle as a hole, not a disc — but never see it as red: not an empirical proposition.
An Aspect (n.) becomes something one is conscious of only in the change of aspect.
An Aspect (n.) depends on the will, like imagination, since one can be told to look at it like this; yet seeing more closely is also willed.
An Aspect (n.) does not match the organization of the object as colour matches colour, for it can vary while the same organization is looked at.
An Aspect (n.) is sometimes dominated by the conceptual, so its experience can be expressed only through a conceptual explanation.