The Feeling (n.) that goes with 'and', 'if' or 'not', James's collecting and dismissing gestures, is caused by the word's use in a system; it does not give the word its meaning.
The Feeling (n.) that vowels resemble colours, if anything, is the halting tone and sly smile with which I ask you to arrange the vowels by darkness.
Feeling (n.) is pictured as an amorphous something in a place, the mind, whose expression is only an indirect way of transmitting it — hence the dream of a direct transmission that would obviate the external medium.
Feeling (n.) can be communicated only if I know what I would count as the criterion of having succeeded.
The Feeling (n.) we say a sentence with accompanies it as a tune accompanies the words of a song: it is the expression with which the sentence is said.
A Feeling (n.) can be expressed with a word borrowed from another technique, used in a new way — not as a simile.
Feeling (n.) attached to 'if' is perhaps just this word said in this tone and context, like an if-gesture of which the sound is a part.
A Feeling (n.) can be described, as we do every day; how is learned by thinking about particular cases.
A Feeling (n.) is placed by further description: a location, constancy or change, growing stronger or weaker, and links to other feelings.
A Feeling (n.) is not one just because we call it so: reading 'but' with the but-feeling makes nothing a feeling.