Deterritorialization (n.) is movement without regard for the integrity of the skin.
Deterritorialization (n.) is having painted the world on oneself, not oneself on the world.
Deterritorialization (n.) may come first: perhaps every territory presupposes having already left one.
Deterritorialization (n.) is a perfectly positive power with degrees and thresholds, always relative, with reterritorialization as its flipside.
Deterritorialization (n.) is not a matter of speed — some are very slow, and the absolute can be reached by delay, as in retarded development.
Deterritorialization (n.) is the process whereby the very basis of one's identity, the proverbial ground beneath our feet, is eroded, washed away like the bank ofa river swollen by floodwater immersion.
Deterritorialization (n.) creates a new earth — and, not being transcendent, it must pass through relative deterritorialization to get there.
Deterritorialization (n.) can never go far enough: "More perversion! More artifice!" — until the earth becomes so artificial that the movement creates, by itself, a new earth.
Deterritorialization (n.) is never done alone: there are always two terms — hand and tool, mouth and breast, face and landscape — each reterritorializing on the other.
Deterritorialization (n.) never occurs without a special reterritorialization: no flow escapes a molar formation without molar components forming landmarks for the imperceptible.
Deterritorialization (n.) always comes with a reterritorialization: the orchid escapes into the image of a wasp, the wasp settles on that image, becomes a piece of the orchid's sex, and carries its pollen away.
Deterritorialization (n.) is always double: the least deterritorialized element triggers the deterritorialization of the most deterritorializing one, which then reacts back on it in full force.