Neurosis (n.) is the only illness that consists in making others ill.
Neurosis (n.) is the result of neuroticization, which precedes it.
Neurosis (n.) cannot be explained by Oedipus; on the contrary, neurosis explains Oedipus.
Neurosis (n.) is moving the limit so as to build a little colonial world of your own.
Neurosis (n.) may be the only illness — the Oedipal decay against which every interruption of the process should be measured.
Neurosis (n.) is what Freud calls it as long as the patient's howling about wolves can be answered with "It's daddy"; when that cracks, it becomes psychosis.
Neurosis (n.) is founded on a failed repression: the first thing a son tries to repress is the unconscious of his father and mother.
Neurosis (n.) is good for the work of art in small doses, but not psychosis — so runs the hypocritical warning, as if the great voices did not speak from the depths of psychosis.
Neurosis (n.) and psychosis explore the ultimate ground at the cost of suffering — the neurotic asking how to shift the problem, the psychotic where to pose the question; their life, not what they say, is exemplary.
Neurosis (n.) and psychosis differ in no way in nature: desiring-production is the cause both of the psychotic subversions that shatter Oedipus and of the neurotic reverberations that constitute it.
Neurosis (n.) in its three familial forms is a lapse in Oedipal differentiation: the phobic is no longer sure whether he is parent or child, the obsessive whether he is dead or alive, the hysteric whether he is man or woman.