Memory (n.) sticks more readily to gestures and laughs than to dates.
Memory (n.) plays a small part in art, even and especially in Proust.
Memory (n.) always has a reterritorializing function.
Memory (n.) of alliance and of words, the extended system, implies the active repression of the intense, nocturnal, biocosmic memory of filiation.
Memory (n.) is the basic synthesis of time that makes up the being of the past — what makes the present pass.
Memory (n.) becomes a festering wound: one cannot get over anything, everything hurts, men and things obtrude too closely.
Memory (n.) is, for Mandelstam, not loving but hostile: it works not to reproduce the past but to distance it.
Memory (n.) of traces is full of hatred in itself — an unfinished digestion, an intestinal and venomous memory: the tarantula.
Memory (n.) has become a bad thing: capitalism no longer needs to write on flesh or fashion a memory for man.
Memory (n.) could never be created by man without blood, torture and sacrifice — nothing was more fearful in prehistory than mnemotechnics.
Memory (n.) is a reactive function, like habit, nutrition, reproduction, conservation and adaptation — the organism seen from its petty side.
Memory (n.) that collects the memories of the child, the woman, the black is still a virile majoritarian agency, filing them as 'childhood' or 'colonial' memories.
Memory (n.) had to be created for man, the animal of forgetting: a collective memory of words, not things, of signs, not effects — traced directly on the body as a terrible alphabet.
Memory (n.) comes in two kinds that do not grasp the same thing: long-term memory is a tree, an imprint, a photograph; short-term memory is a rhizome that can return long after, and includes forgetting.