Definitions HQ

The Novel (n.) develops ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠authentically, however broad, only as a passage from mastery to slavery.

The Novel (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠last reflects the real hierarchy of desire when the mediator stands in the foreground and the object recedes.

The Novel (n.) creates ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠no new values and, unlike the romantic's Prometheus, has to reconquer with great effort the values of earlier novels.

The Novel (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its greatest exposes the image of himself the writer wished to project, and asks why; a mediocre novel simply projects it.

The Novel (n.) was ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠Stendhal's only original thought: the moment he stepped out of his characters, the ghost of the Other began to haunt him again.

The Novel (n.) does ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a justice that lies beyond pessimistic psychology and romantic idolatry, and unlike moralizing hypocrisy it is concrete and verifiable in the work itself.

The Novel (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its greatest springs from an obsession that has been transcended, the novelist's self-examination merging with his morbid attention to his mediator.

The Novel (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its greatest is ahead of society, because the novelist's intense desire carries him to the top of the social edifice, where ontological sickness is worst and later spreads downward.