Aesthetics (n.) operates and judges at the same moment, where technical thought only operates and religious thought only judges.
Aesthetics (n.) is the announcement of culture, a demand for it, not culture itself.
Aesthetics (n.) borrows from reality without reacting back on it: it refracts, it does not reflect.
Aesthetics (n.) alone meets a being at the level of its unity, neither below it like technics nor above it like religion.
Aesthetics (n.) is not a third phase but the standing reminder, at the neutral point, that the magical unity was broken and might be mended.
Aesthetics (n.) is the ecumenism of thought: it draws the separate kinds of thinking that came out of magic's shattering back together.
Aesthetics (n.) shows itself as a feeling, the sign of a perfection so complete that an act in one field evokes completion in another: a technical work as perfect as a religious act.