Definitions HQ

Memory (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the milieu that the present self carries beside it.

Memory (n.) always ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠sits beneath what it remembers, while imagination floats above what it imagines.

Memory (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠distance without alienation: part of you stands off from you and remains yours.

Memory (n.) works ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠with instinct as the way a living thing's results come back around and become the causes of what it does next.

Memory (n.) takes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the weather of the present: in peace it relives old joys, under attack it turns into a lawyer.

Memory (n.) runs ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠in a loop: the past, kept as potential, animates the present, and the present puts the past in order.

Memory (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the other half of the present self, an asymmetrical splitting that makes one being into two without breaking it.

Memory (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the function that turns what happened into the lens through which the next thing is seen: in the living, the a posteriori becomes a priori.

Memory (n.) and ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠foresight are one power seen from two ends: the present act imagined in its results is already an experience in advance, and the remembered act keeps behaving.

Memory (n.) may ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not live only in the brain: flatworms that lose one nervous system and grow another may still transmit information by a chemical pathway.

Memory (n.) in ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a machine is only as plastic as its surface: each recording is perfectly rigid, and a badly erased old one blurs the next rather than helping it.

Memory (n.) does ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not come in two kinds: pure memory and habit-memory are only the extremes of a network of significations shared with other living beings.

A Memory (n.) counts ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠as an image only when it hits hard enough to organize the rest of the mind; most memories are only files, but an image is a sample of a situation.

Memory (n.) as ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠image is abstract and purer than perception: it has lost the shadows and shades that individualized each column and gave the series an internal structure.

Memory (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its most condensed is a tool shop: once an experience has hardened into a symbol, it stops recording the last action and begins proposing instruments for the next.

Memory (n.) has ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠two realms: the significations of human memory stop exactly where those of machine memory begin, one regulating a world of living things, the other a world of non-living.

Memory (n.) loses ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its past when it turns into symbol: succession becomes simultaneity, the particular goes universal, and what belonged to others starts to belong to me while what was mine slips away.

Memory (n.) never ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠returns a copy of the past: the remembered past is a new life, polished like an Épinal print, that carries a hidden anticipation and does violence to the present to be revived.

Memory (n.) in ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a person recalls a situation years later because it carries the same dangers, feelings and significations, not the same details; a machine keeps the document and the measurement.

Memory (n.) in ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a child keeps good images only of scenes that interest it: the eidetic image registers the significant objects and their significant traits, unlike the painter's interest in light and shadow.