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The Imagination (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠genesis taken over by the nervous system: images grow by a law rooted in experience that would not run without the being's own self-making.

Definition.com

The Imagination (n.) writes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the body's future: a sad habit of foreseeing misfortune ensures it, and describing past pains makes them felt again.

Definition.com

Imagination (n.) and ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠memory differ in who starts the search: in memory the encounter begins in the image of the self, in imagination in the self's own drive.

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Imagination (n.) differs ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠by type: the motor type does not hear or see its words but feels them in the mouth, and asked to imagine “bubble” or “mutter” with an open mouth he cannot.

Definition.com

Imagination (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not only the making of images but the receiving of them: artworks, clothing, and machines are images waiting to be discovered.

Definition.com

Imagination (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a force that makes you a stranger to your own present: it leaves you indifferent to what you have, as if it were not really yours.

Definition.com

Imagination (n.) can ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠fake a coin: the subject still feels it on his forehead after the real one is removed and tries to make it fall, because the feeling of adhesion outlasts the thing.

Definition.com

Imagination (n.) was ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠tested by Galton with a breakfast table: most subjects kept one or two objects clear in their memory, not the whole table.

Definition.com

Imagination (n.) of ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the aural type adds by repeating the names of the numbers aloud inside, and learns a text by engraving the sound of its words.

Definition.com

Imagination (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not only picturing what the senses never gave us; it is a knack for feeling qualities in things that are neither shape nor substance.