The Hero (n.) in Stendhal becomes himself by refusing to take part: his distance gives him a lucidity and a will his comrades lack.
A Hero (n.) on campus is often a neurotic hiding an inability to adapt behind medals and honors, and the laurels buy a provisional place in society until the neurosis comes due.
The Hero (n.) does not choose; he overflows the choice: what is Cartesian in Le Cid is not the monologue of agonizing alternatives but the battle that makes the dilemma vanish.
The Hero (n.) is immortalized by sacrifice, the martyr by witness, the sage by radiant thought: three doors into the same room.
The Hero (n.) keeps a single rule: fidelity to himself and to his dominant passion.