Love (n.) in Stendhal keeps something cold and built that stops one from dissolving into the couple.
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Love (n.) is the daughter of Poros and Penia, abundance and lack, and so joins isolation to presence among others.
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Love (n.) for the image of another that one carries within oneself requires the self to split, as reverie does.
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Love (n.) is, for Retif, a synthesis rather than a mixture: three relations that converge while staying three.
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Love (n.) is the child of abundance and privation, and so of fears and hopes mixed in shifting proportions.
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