The Book (n.) is not repeatable in its identity; each reading produces a simulacrum of an original that marks a shifting and unstable subject.
The Book (n.) has no tragedy: there is only one Book, distributed through all books.
The Book (n.) is first and foremost volume, which structuralism cannot bear to spread flat.
The Book (n.) is at once "the same and other," made up of itself, and lends itself to a double interpretation.
The Book (n.) is not in the world; the world is in the book.
A Book (n.) is the subject of its poet, the speaking being who writes on the book, while the poet is its servant and its theme.
The Book (n.) is a labyrinth: you think you have left it, and you are plunged back into it.
A Book (n.) will not have been a book: its preface sits before and after it, and so undoes the book-ness it promotes.
The Book (n.) is nature inscribed on a staff, like music, and completed.
The Book (n.) is a substitute for dialogue that calls itself alive.
The Book (n.) is worth only as much as the speech it copies, and never more.
The Book (n.) is worth nothing in itself; it is neither good nor bad, neither true nor false.
The Book (n.) is a block of sheets that never closes; its spacing is a practice, not a reduction.
A Book (n.) held in the hand makes up for all theaters by calling them to mind, not casting them into oblivion.
The Book (n.) no longer repairs the loss of space; it repeats the process of spacing, along with what plays, loses and wins itself in it.
A Book (n.) neither begins nor ends; at most it pretends to.