Nature (n.) does not supplement itself at all; whatever supplements it comes from elsewhere and is other than Nature.
Nature (n.) is a reserve rather than a given presence: a hidden actuality, a deposit of indeterminate power.
Nature (n.) is first praised and then demoted: the original keeps the inferior inside the superior.
Nature (n.) is one of the concepts that secure a nonsupplementarity, and such concepts have no truth-value: they belong to an epoch of supplementarity.
Nature (n.) bears the burden of scientificity: it must explain without God, and point back to a state that is purely presocial and prelinguistic.
Nature (n.) inverts itself, and it can do so only from a point absolutely exterior to itself: a force at once void and infinite.
Nature (n.) is still what the philosopher dreams of, even when he takes himself for an artist of form.
Nature (n.) is the word Fukuyama uses for a trans-historical ideal that no historical event can measure.