The Theater of cruelty (n.) puts on stage a syntax that is no longer a grammar of predication or a logic of clear thinking.
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The Theater of cruelty (n.) keeps the sign not yet separated from force in its illegibility, so it is not yet a sign.
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The Theater of cruelty (n.) is not a representation; it is life itself, in so far as life is unrepresentable.
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The Theater of cruelty (n.) is not the symbol of an absent void; it is an unavoidable necessity.
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The Theater of cruelty (n.) is not only a spectacle without spectators; it is speech without listeners.