A Sign (n.) points to something and also points to itself as something that points to something. The sign is always double.
The Sign (n.) is half always "not there" and half always "not that," and it is the one thing that escapes the question "What is...?"
The Sign (n.) and divinity have the same place and time of birth; the age of the sign is essentially theological.
The Sign (n.) is always the supplement of the thing itself, filling a void by proxy.
The Sign (n.) turns representer into force: the scandal is that image and representation make the world move.
A Sign (n.) is always a sign of the Fall: absence always relates to distancing from God.
The Sign (n.) is the whole conceptuality a thought of writing would have to destroy at its limit: signifier, signified, expression, content.
A Sign (n.) speaks more plainly than a long oration: the most startling speeches were not uttered but shown.
The Sign (n.) can empty itself in the moment of writing, and then remain forever closed and mute.
The Sign (n.) has lived only on the opposition between the sensible and the intelligible, and cannot surpass it.
The Sign (n.) is the tool for transcending the opposition between the sensible and the intelligible, by working at the level of signs from the outset.
The Sign (n.) defers the moment we could touch the thing itself, make it ours and consume it.
The Sign (n.) is a bridge between two presences, a provisional reference that can be lifted once it has carried us across.
Sign (n.) are usually foisted into logic as an appendix, though they belong at the very center of the system.
The Sign (n.) is a formal moment: it stays inferior to the truth it means and is kept in provisional reserve.
The Sign (n.) is a singular thing, engendered by a fantastic imagination that shows signs of itself.
The Sign (n.) is a monument of life in death, a pyramid that holds its soul against time.
The Sign (n.) is an immediate intuition that represents something totally foreign to what it naturally is, a soul transplanted into a pyramid.
The Sign (n.) is born the moment the object is absent from present perception, as memory and imagination demand it.