The Theater (n.) is not condemned for being a spectacle; it is condemned because it makes us hear and understand.
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Theater (n.) summons the totality of existence and no longer tolerates the split between actor and author.
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Theater (n.) at its highest reconciles us with Becoming.
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The Theater (n.) is born in its own disappearance, and the offspring of that movement has a name: man.
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The Theater (n.) is the one place where a gesture, once made, can never be made the same way twice.
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Theater (n.) does not show things in themselves; it shows itself as a fiction and sets up a machine.