Imagination (n.) takes flight in dreams through lack of orientation; its unbridled extravagance comes from the absence of critical reflection and of other people to talk to.
Imagination (n.) freed in dreams from reason's domination leaps into unlimited sovereignty: not merely reproductive but productive, loving the immoderate, exaggerated and monstrous.
Imagination (n.) comes along whenever desire is aroused and presents us with the objects of that desire.
Imagination (n.) set free from the shackles of daytime seeks to give a symbolic picture of the organ that stirs and of the stimulus itself.
Imagination (n.) has limits: it will not let long, stiff weapons stand for the female genitals, nor hollow boxes for the male.
Imagination (n.) is not created by dreams; its unconscious activity, running all day, is what builds the dream-thoughts — and neurotic symptoms too.
Imagination (n.) is a reservation exempted from reality-testing, set apart for wishes too hard to carry out.
Imagination (n.) divided from intellect destines a man to become an artist or a neurotic.
Imagination (n.) in E. T. A. Hoffmann was stocked by the flickering scenes of a post-chaise journey he made as a babe at his mother's breast.