427 definitions
The book's index
Dialectic of Enlightenment: Philosophical Fragments
312 concepts · 427 definitions
- abstraction1
- abundance1
- academic philosophy1
- adaptation2
- advertising3
- amusement1
- animal1
- anti-authoritarianism1
- antisemite2
- antisemitism7
- apathy1
- art1
- asceticism1
- atheism1
- audience1
- aura1
- automobile1
- barbarism1
- beauty3
- belief1
- blindness1
- body2
- bourgeois1
- calorie1
- camouflage1
- card game1
- caress1
- cartoon1
- censorship1
- chance1
- character1
- charisma1
- Christianity1
- cinema1
- circus1
- civilization3
- classification1
- cleverness1
- close-up1
- commodity fetishism1
- communication1
- compassion1
- conformity1
- conquest of nature1
- conscience1
- conspiracy theory1
- consumerism1
- contempt1
- contradiction1
- criminal1
- critical theory1
- criticism1
- cruelty1
- culture2
- culture industry3
- cunning4
- curiosity1
Enlightenment (n.) is totalitarian: whatever fails the test of calculability and utility falls under suspicion, and every resistance it meets only makes it stronger.
Enlightenment (n.) set out to free people from fear and make them masters — and the wholly enlightened earth now glows with triumphant calamity.
Enlightenment (n.) is mythical fear radicalized: people believe themselves free of fear once nothing unknown remains.
Enlightenment (n.) treats things the way a dictator treats people: it knows them exactly as far as it can manipulate them.
Reason (n.) is, seen from natural history, an instrument of adaptation and not a sedative: its ruse is to make humans into beasts with an ever wider reach.
Reason (n.) that is fully functionalized becomes purposiveness without purpose — which is exactly why it can be harnessed to any end.
Reason (n.) in its enlightened form is hostile to authority only when authority is too weak to be obeyed, and to violence only when violence is not yet an established fact.
Antisemitism (n.) is immune to proof that it does not pay: for ordinary people it is a luxury, which helps no one but soothes the urge to destroy.
Antisemitism (n.) hates in the image of the Jew what the ruled secretly long for: happiness without power, reward without work, a home without borders, religion without myth.
Antisemitism (n.) convicts the Jews of what they were the first to subdue in themselves: because they invented the kosher, they are persecuted as swine.
Antisemitism (n.) is self-hatred among the knights of industry who pose as creators: the bad conscience of the parasite.
Language (n.) becomes more impenetrable the more purely and transparently it communicates — demythologized words revert to magic.
Language (n.) today calculates, designates, betrays, initiates death; it does not express.
Language (n.) that grows apologetic is already corrupt; by nature it can be neither neutral nor practical.
Language (n.) is, like weapons and machines, an instrument of power that must in turn be graspable by everyone — and so it carries a criticism of the domination it serves.
Happiness (n.) lived in a world of horror is shamefully refuted by the mere existence of that world.
Happiness (n.) without power is unendurable to those mutilated by power, because it alone would be happiness.
Happiness (n.) becomes substantial only through the concept: identifying remembrance and assuaging knowledge, the same things that give life its death.
Happiness (n.) turns into a parody of itself whenever order sanctions it; order produces it only by forbidding it.
Thought (n.) that has been reified apes the machine it built — until the machine can replace it.
Thought (n.) that opposes power — above all the kind worth dying for — is unfinished and knows it.
Thought (n.) is the servant its master cannot control at will.
Thought (n.) takes on the look of madness, which down-to-earth people never fail to notice, once it breaks from culture's job of reinforcing domination.
Pleasure (n.) is unknown to nature, which goes no further than satisfying needs; all pleasure is social, and springs from alienation.
Pleasure (n.) has learned to hate itself after a millennium of work-pressure; even set free, it stays mean and mutilated by self-contempt.
Pleasure (n.) is nature's revenge: in it human beings shed thought and slip out of civilization.
Pleasure (n.) carries, like pity, a moment of resignation: abandoning itself to nature, it gives up on the possible, as pity gives up on changing the whole.
Cunning (n.) submissively gives nature what is hers — and cheats her in the giving.
Cunning (n.) is defiance made rational.
Cunning (n.) is the faculty by which the self survives its adventures: throwing itself away in order to preserve itself.
Cunning (n.) lives on the quarrel between word and thing: Odysseus pledges loyalty to himself by disowning himself as Nobody, and saves his life by making himself disappear.
The Culture industry (n.) is pornographic and prudish, where works of art are ascetic and shameless.
The Culture industry (n.) bows to the vote it has itself rigged.
The Culture industry (n.) does the customer's thinking in advance: the secret mechanism Kant thought shaped raw experience in the mind has been taken over by production management.
Stupidity (n.) afflicts the great the moment they must do anything other than manipulate the small.
Stupidity (n.) and lawlessness share one definition: the Cyclops is lawless not just in his morals but in his thinking — unsystematic, rhapsodic.