Translation (n.) is always possible and always imperfect: a compromise struck between two idioms.
Translation (n.) can only aggravate or seal the inaccessibility of the other language, however excellent it is.
Translation (n.) is a violent passage of a non-philosophical word into philosophy, never a simple exchange of one word for another.
Translation (n.) relinquishes materiality, and when materiality returns, translation becomes poetry.
Translation (n.) fails before a chiasmus: a text unreadable because it is only readable is untranslatable for the same reason.
Translation (n.) practises the difference between signified and signifier, but it is never pure; a regulated transformation of one language by another must replace the idea of transfer.