Inspiration (n.) is rare and brief, and hardly any soul gives off more light than it takes in.
Inspiration (n.) came to Philo as emptiness and then a sudden shower of ideas, leaving him unaware of place, people, even himself.
Inspiration (n.) was pictured by Athenagoras as the Spirit blowing through the prophet like a player through a flute.
Inspiration (n.) was, to Hobbes, a silly pose: someone able to reason wisely would rather pass for a bagpipe the spirit blows through.
Inspiration (n.) was, for Nietzsche, pure receiving: one hears without seeking and takes without asking who gives.
Inspiration (n.) is irrelevant to judging a poem, but for a prophet it is the whole warrant for what he says.
Inspiration (n.) shrank, in Schleiermacher, to a label for the sense of moral freedom.
Inspiration (n.) is the side of the prophetic act that comes from beyond the person; experience is the side that happens within him.
Inspiration (n.) is an event, not a process: processes repeat by law, events are unique and set a precedent.
Inspiration (n.) comes down on the prophet from outside rather than welling up from within.
Inspiration (n.) is met face to face by the prophet, not merely felt inside him.
Inspiration (n.) is being present at a divine event, a seat in the Lord's council, not just receiving a memo.
Inspiration (n.) arrives as a gift; no will can summon it and no force can compel it.
Inspiration (n.) once had never passes; it stays like an island in the restless sea of time.