A Father (n.) even for the child, whatever one might think, is he who knows nothing about truth.
Father (n.) belongs to the most spiritual of realities, since nothing in lived experience strictly points to his function.
Father (n.) did not exist before the Name-of-the-Father; there were all sorts of other things.
A Father (n.) the neurotic wishes for is the dead Father — and also one who could perfectly master his desire.
Father (n.) is the quilting point of human experience — which is why Freud could never let go of Oedipus.
A Father (n.) is the dead Father — "What is a Father?" "It is the dead Father," Freud replies, but no one listens.
A Father (n.) is the theme where Freud stopped and failed — making it a mythical knot, a short circuit, a failure.
A Father (n.) as we actually know him works to feed his little family — and would very much like to be loved.
Father (n.) is not just the begetter; he is the one who rightfully possesses the mother — and in peace.
A Father (n.) is from the origins castrated as soon as he enters the field of the master's discourse — the truth the murder myth defends against.
A Father (n.) presides over the very first identification — before the mother — as the one who deserves to be loved.
Father (n.) has the phallus — full stop; he neither trades it nor gives it, and so keeps it from being a mere meteor.
Father (n.) is not a question: there is no 'question of the father,' because there we are beyond what can be formulated as a question.
A Father (n.) needs no signifier to be one, any more than the dead need one to be dead — but without a signifier no one would know anything about either state.
A Father (n.) is he who acknowledges us — so we are all, like Oedipus, in the hands of an adoptive father, whether we know it or not.
Father (n.) as a signifier brings into descent a mathematical order unlike the natural one: the series of generations.
A Father (n.) is a title like "ex-soldier": even ill or impotent he remains an ex-sire, a potential power of creation — which is exactly what the idealized father is.
A Father (n.) who is too ideal — Hamlet's ghost, cut off in the full flower of his sins — is constantly doubted, and so cannot give the Law that would let desire survive.
The Father (n.) is, for the child, the object of desire for the mother. Insofar as he represents social law, the mother represents her desire for social law and order.
A Father (n.) does most damage precisely when he really is the legislator — the pillar of faith, the paragon of virtue — for his ideals give him every chance of fraud, excluding the Name-of-the-Father from its place.