Phobia (n.) is the last place the silent animal still haunts us — the enigma that once made room for gods.
Phobia (n.) in Little Hans was a lane he led Freud and his father down — and ever since, it is the analysts' turn to be frightened.
A Phobia (n.) has as its object an all-purpose signifier plugging the lack in the Other; the fetish, by contrast, is the object glimpsed in the cut of the signifier.
Phobia (n.) was, in Little Hans's case, a lane down which a boy took Freud and his father for a walk — and where, ever since, the analysts have been the frightened ones.
Phobia (n.) is desire that arrives ahead of itself: anticipated desire, as hysteria is unsatisfied desire and obsession impossible desire.
A Phobia (n.) in little Hans is a signifying crystal around which a child abandoned by his symbolic world runs through every permutation of a few signifiers — solving the impossible by exhausting the impossibilities.