Obsessional neurosis (n.) is the neurotic question asked in the key of death.
Obsessional neurosis (n.) places the Other in the keeping of a dead man — best of all the father, who by dying becomes the absolute Father.
Obsessional neurosis (n.) is the inability to desire without destroying the Other — and so a lifelong manoeuvre to protect the Other from one's own desire.
Obsessional neurosis (n.) spoils every object by the mark of its origin: what the obsessional desires must arrive as contraband.
Obsessional neurosis (n.) plays to an invisible spectator in the box — the master who cannot be seen or see himself — to whom it is united by death.
Obsessional neurosis (n.) is a fortress built to disguise, displace, deny, divide and subdue aggression — a defence staggered like Louis XIV's military fortifications.
Obsessional neurosis (n.) denies the Other's desire by insisting on the impossibility of the subject's vanishing — and needs fundamentally to stand in the Other's place.
Obsessional neurosis (n.) is waiting for the Master to die: watching the game from the place of the Other, the obsessional risks nothing, and death is present only in jest.
Obsessional neurosis (n.) is an architecture of contrasts: rancour that never blocks generosity, inconstancies of mind that hold up unbreakable loyalties.
An Obsessional neurosis (n.) is frantically active in order to prevent the real thing from happening: he talks without pause so that the analyst never gets to ask the question that truly matters.