Pleasure (n.) is what sets the limits on jouissance — the binding that holds incoherent life together.
Pleasure (n.) is the name in which everyone starts to weaken at the first half-serious step toward jouissance.
Pleasure (n.) is, in excess, not even more pleasurable, but rather painful. This is the 'painful principle' or jouissance.
Pleasure (n.) is no passive state but an activity — the bloom given off by youthful activity, a radiance, the sign of an action that contains its own end.
Pleasure (n.) is the knot of every ethics: it appears as the end that moral effort opposes, yet moral effort must locate its final reference point there.
Pleasure (n.) always stops desire short of its aim: a balance the living body regains too quickly, at the lowest threshold of tension it can survive on.
Pleasure (n.) can wear the face of horror: the Rat Man's face, telling of the rat torture, reflected the horror of a pleasure of which he was unaware.
Pleasure (n.) is governed by no Sovereign Good: on its path man must go around das Ding, and no ethical rule mediates between our pleasure and its real rule.
Pleasure (n.) narrows the range of human possibility: the pleasure principle is homeostasis, and desire is what crosses its threshold.
Pleasure (n.) in Freud lies on the side of the fictitious: what binds man is the return of a sign, a kind of euphony — one seeks the trace rather than the trail.