Definitions HQ

Form (n.) causes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the content to be arranged under certain relations. It sits in constant readiness for matter in the mind, and is thus separate from all sensations.

Form (n.) of ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠appearance cannot itself be sensation, since it is that within which sensations are ordered: it must lie ready in the mind a priori.

Form (n.) precedes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠matter in sensibility: space and time come before all appearances and first make them possible — the very thing the intellectualist could not bear.

Form (n.) of ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠any object of the senses is either figure or play — play of figures in space, as in mime and dance, or play of sensations in time.

Form (n.) apart ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠from any end gives the mind the feeling of being quite at home as it tries to grasp it — but no perfection of the object.

Form (n.) in ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠art is not inspiration or a free swinging of the mind's powers, but a slow and even painful process of improvement until it fits the thought.