Humor (n.) is a means of obtaining pleasure in spite of the distressing effects that interface with it.
Humor (n.) is a way of getting pleasure in spite of painful affects: it takes their place, and its pleasure comes from saving an affect that never occurs.
Humor (n.) is the most self-sufficient species of the comic: it completes its course in one person and needs no one to share it.
Humor (n.) keeps annexing territory whenever an artist brings some unconquered emotion, horror or disgust even, under its rule.
Humor (n.) is the highest of the defensive processes: unlike repression it does not hide the painful idea, but drains its energy into pleasure.
Humor (n.) is won, in one adult form, by seeing today's serious business as equal to childhood games, throwing off life's heavy burden for a high yield of pleasure.
Humor (n.) is feeling saved: the listener braces for pity or fear, the other jokes instead, and the unspent emotion turns into pleasure.
Humor (n.) spares itself the feelings a situation calls for and waves them away with a jest.
Humor (n.) has a grandeur jokes lack: the triumph of narcissism, the ego's victorious insistence that nothing can hurt it.
Humor (n.) is not resigned but rebellious, Freud insists, marking the triumph of the ego and of the pleasure principle over unkind circumstances.
Humor (n.) has a dignity jokes lack: a joke only seeks pleasure or turns it into aggression, while humour evades pain without leaving mental health.
Humor (n.) is the super-ego looking down: the stress shifts from the ego to it, and from up there the ego's troubles look tiny.
Humor (n.) never makes us laugh out loud, and still it feels peculiarly liberating and elevating.