Control (n.) in a pianist or dancer is a fenced area inside which he can abandon himself to spontaneity without restraint.
Control (n.) proves that nothing fails like success: each success makes everything outside the ego more threatening, demanding more, until only omnipotence would do.
Control (n.) has a limit any child can feel: you cannot throw a ball while you are still holding on to it.
Control (n.) of world and self, desired perfectly, rests on a deep mistrust of the controller.
Control (n.) pushed past certain limits makes human life a fantastic vicious circle; negative metaphysics at least tells us to relax that excess of effort.
Control (n.) is restraint on movement, so complete control would be complete stillness; control must always serve motion or there is no motion at all.
Control (n.) is made possible by the very world we try to control — our whole environment is what gives us the power to control anything.
Control (n.) breeds more control, until the controller is caught in his own net — the trap of modern technological man.