The Self (n.) is encountered by letting go of who one imagines oneself to be.
The Self (n.) is unknowable. The 'you' who you think you are does not exist.
The Self (n.) is split in two in us: a narrow center of attention we call "I," and a vast organic complexity, known only as disquieting feelings, we call "myself."
The Self (n.) is outwardly one apple among many that come and go; inwardly it is the tree in which the life remains.
The Self (n.) looked for intimately is never caught without some perception of heat or cold, love or hatred — we are a bundle of perceptions.
The Self (n.) has no governor that leaves any evidence of being: if there were one, it would have to have feeling without form.
The Self (n.) felt narrowly makes existence feel like restraint: the narrower the self, the more confining life.
Self (n.) is the hardest thing to know: we know it from the inside, but stand so close to it we can never quite get at it.
The Self (n.) cannot reach itself: the part of us that wants to change us is the part that needs changing, as untouchable as a needle by its own point.
The Self (n.) is a construct of words, memories and fantasies with no existence in immediate reality — which is why clear attention has no self in it.
The Self (n.) trying to change itself is an arrow trying to shoot itself.
The Self (n.) imagined as separate from life and needing to accord with it is the trap itself.
The Self (n.) cannot be felt, only used — and its use can be felt, like the wind whose sound you hear without knowing where it comes from.
The Self (n.) apart from life is a single note lifted from a symphony, a finger cut from the hand, air caught from the wind and shut in a room.
The Self (n.) can be thrown out with your methods; Watts felt he owned nothing, not even a self, and nothing owned him.
The Self (n.) I have called mine is inseparable from everything else, once you see that carving nature into units is only a convenience.
The Self (n.) split in two is never the one I need: the self I know is never the one I need to know, the one I control never the one I need to control.
The Self (n.) is a paradox of depth: the further I go into myself, the less I am myself — and yet this is the very heart of me.
The Self (n.) felt truly is both the form and the field around it: explosion and implosion at once, shaping each other in the same moment.
Self (n.) is an eternal series of surprises, pulsing like the double helix, in which the forgettory is as necessary as the memory.