The Sage (n.) must have fools and knaves as correlatives — so Chuang-tzu's attack on them repeats the very fallacy it attacks.
The Sage (n.) is everywhere likened to the lunatic, because neither makes sense nor accepts the world's practical scale of values.
Sage (n.) seems dull while the vulgar are bright, blunt while they discriminate, drifting as if attached to nothing — a fool's mind, he says, fed by the Mother.
Sage (n.) provides for the stomach and not for the eye — he judges by what an experience actually contains, not by how it fits a theory.
Sage (n.) enters the forest without moving the grass and enters the water without a ripple — no one notices him because he does not notice himself.
Sage (n.) is as "useless" as the giant tree that lived to vast size because its fruit was bitter and its trunk too twisted for planks.
Sage (n.) of old laid no plans: failing, he had no cause for regret; succeeding, no cause for self-congratulation.
Sage (n.) is never free of human frailties: as long as you wear a body, you eat other life, fire still burns you, and danger still secretes adrenalin.
The Sage (n.) who has genuinely died to himself claims no part in the process; he thinks of himself as lazy and lucky.
The Sage (n.) puts himself behind and finds himself in front; like the universe, he lasts because he does not live for himself.
The Sage (n.) differs from the ordinary man only in realizing his identity with God — and the other's not realizing it does not change the fact.
The Sage (n.) is irrelevant to society, unable to share the ad-man's and politician's dream of better and better without worse and worse.
Sage (n.) as ruler takes no action and the people reform themselves; uses no force and they grow rich.
Sage (n.) who would transform the world does not teach men house by house; he takes water as his key — pure water, easy hearts.
Sage (n.) is cold as autumn and warm as spring, his joy and anger arriving as naturally as the four seasons.
Sage (n.) gets by with a perfect appearance of imperfection, like the gnarled pines and craggy hills of Chinese painting.