Tragedy (n.) moves us most when it undoes the wishful disguise and lets the original myth show through, as King Lear carries dead Cordelia.
Tragedy (n.) spares its spectators none of the most painful impressions, and yet can be felt by them as a high enjoyment.
Tragedy (n.) comes, in Rosmersholm, from a common girlish day-dream having been preceded in childhood by a precisely corresponding reality.
Tragedy (n.) spares its audience none of the most painful experiences — and they enjoy it, proof that pain can be worked over under pleasure's own rule.
Tragedy (n.) is the primal scene redone as refined hypocrisy: in reality the Chorus caused the Hero's suffering; on stage they exhaust themselves in sympathy and he is responsible for his own fall.