The Aesthetic (n.) is that in a person by which he spontaneously and immediately is what he is while the ethical is that by which he becomes what he becomes.
The Aesthetic (n.) is the temporal (and thus fleeting) life of the senses expressed generally through artistic creativity.
The Aesthetic (n.) does not lie in the immediate but in the acquired — and marriage is the immediacy that has mediacy in itself, the eternal with the temporal in it.
The Aesthetic (n.) does not belong to the rich and refined while religion goes to the poor: the poor, having the religious, have the aesthetic too; the rich without it have neither.
The Aesthetic (n.) is commonly confused with the representation of beauty: most people find it only in books and pictures, and very few see everyday life in an aesthetic light.
The Aesthetic (n.) at its highest cannot be represented even in poetry — only lived, like music that exists only in the instant of performance.
The Aesthetic (n.) is not the evil but neutrality — which is why only the ethical constitutes a choice.
The Aesthetic (n.) excluded absolutely in choosing oneself ethically comes back whole in its relativity — only then does existence become beautiful.
The Aesthetic (n.) is what makes a person, without further ado, what he is; the ethical is what makes him become what he becomes.
The Aesthetic (n.) after despair is not destroyed but reduced to a ministering role — and precisely so preserved.
The Aesthetic (n.) is earnest-money: the religious writer must first get in touch with men by dazzling them, the more brilliantly the better.
The Aesthetic (n.) rouses a devotion whose momentum, brought forward neither too soon nor too late, sends readers rushing headlong into the religious.