Melancholy (n.) is desire that cannot come to the point of desiring, because its object is present to it without being desired.
Melancholy (n.) is what one consigns oneself to, sooner or later, by leaping away from a task.
Melancholy (n.) is inseparable from deceitfulness: whatever misfortune the melancholy man contends with, however concrete, always has for him an admixture of fantasy and abstraction — he cannot know in abstracto what others' joy is like.
Melancholy (n.) is something real, not obliterated with a stroke of the pen; the melancholy man in practical life draws a little subsidy from the inexhaustible funds of imagination, for personal use.
Melancholy (n.) that relates itself abstractly to life thinks it travels for half fare — like Hebel's tailor allowed aboard at half price if he walked alongside and helped pull: it hauls as hard as the crew and pays besides.
Melancholy (n.) is a war at the spiritual frontier against robber bands that never declares a truce — so may a soldier of the extremest outpost take a wife?
Melancholy (n.) merely waits until one is alone: if anybody is present, whoever it may be, I am never quite what I am.
Melancholy (n.) drained in an hour of the night like Loki's wife's cup can be distilled into a vital joy, a heartiness — as in my father, the most melancholy man I knew, who was joyful all day.
Melancholy (n.) seems a mist that flees before the reality of a happy girl — a sickness healed by the very sight of her health.
Melancholy (n.) can sink into a lethargy that needs a human life on one's conscience to be torn out of it — or only a word one would have laughed at in another's mouth.
Melancholy (n.) remembered from a place of peace is blessed and softened — "Sweet is the sorrow of melancholy!" — as happy as the weeping willow swayed by the evening breeze.
Melancholy (n.) makes sport of the melancholic: after wandering through the valley of anxiety fearing he could not make her happy, he never suspected the most natural thing — that she doesn't care for him at all.
Melancholy (n.) triumphs not over an argument but over a tableau one has seen and will never forget.
Melancholy (n.) searches every direction for the dreadful, grips him with its terror; he will not flee but endures the thought, then finds a religious composure — only then free and happy, as spirit.
Melancholy (n.) has ideas which others call crotchets or distressing fancies, but which are pulls — followed and held out, they lead to the eternal certainty of the infinite, and teach one to be content with the very simplest things.
Melancholy (n.) sends me its ideas as messengers from my first love — like the dwarf or the old crone a lover sends in the romances: who could believe it was a love message?
Melancholy (n.) is a sickness seated in the imagination, with possibility as its nutriment — and eternity takes away the possibility; how dreadful if being deformed made the deformed man guilty!
Melancholy (n.) is the condensation of possibility — so all talk of a young girl's cheerfulness or marriage dispersing it is idle: it should not be dispersed; the clouds should grow darker, and then he is on the way to recovery.
Melancholy (n.) that is a crisis — of the poet, artist, thinker, or a crisis anticipating religion — does not lament directly that one is no good; it fastens on anything, the most insignificant, and only when one's destiny is decided is its secret seen. A sufferer who knows what ails him perhaps has warmed-over sufferings.
Melancholy (n.) that wishes to be done with life and with oneself is a refusal to learn strictly and earnestly to love oneself.