Color (n.) is what makes a painter a painter; drawing may show genius, but painting must paint.
Color (n.) at its most magical makes the object begin to vanish into thin air, until the effect barely needs matter at all.
Color (n.) can reduce the whole difference between two men — each a totality of body and mind — to where one colour stops and another begins.
Color (n.) is the unity of light and darkness: in painting the material carries its own light, and by lighting itself up it darkens the light.
Color (n.) is light darkened, made murky in itself, yet still penetrating the dark — so it is a bad and false idea that light is compounded of colours.