Grief (n.) of inner opposition is what a higher nature is given the power to endure — and conquer.
Grief (n.) in a profound soul remains beautiful — just as what dominates in Harlequin is gracefulness and charm.
Grief (n.) in Italian painting is more ecstatic than harmful — a suffering that stays in the soul and never has to fight its way through barbarism and sin.
Grief (n.) turned Niobe to stone because her beauty was her whole being; Mary's heart breaks but does not petrify, because her whole inner life is love.
Grief (n.) can kill because the beloved is woven into one's own reality — as Cato could not outlive the Roman republic, his inner reality being neither wider nor higher than it.