The Face (n.) is the action held back — the individual's speech with himself about what he does, overheard by others.
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The Face (n.) is as much the individuality's countenance as its mask, which it can lay aside.
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A Face (n.) is drawn by nature with bone and by the portrait with fixed traits — the countenance transformed by the spirit.
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A Face (n.) is not equal to every feeling: all women may feel a mother's love, but not every cast of countenance can express that depth of soul.
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A Face (n.) can only be an indefinite, imperfect sign of mind: the note of mentality spread over the body is slight and inexpressible, because the figure is still something natural.