Art (n.) is a heroic enterprise. Its illusion is sometimes vital, sometimes a dangerous narcotic. Ultimately one must be the work of art oneself, an art of life.
Art (n.) is as indispensible as sleep insofar as it is able to produce a short-cut solution to the otherwise exhausting riddle of life.
Art (n.) is essentially the affirmation, the blessing, and the deification of existence.
Art (n.) is not intended to make us better or to educate us. Instead we must see that we ourselves are artistic projections and works of art. It is only as aesthetic phenomena that existence and the world are eternally justified.
Art (n.) is not merely an imitation of the reality of nature, but a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
Art (n.) is similar to science in that for both fields, everyday things seem to them new and attractive.
Art (n.) depends upon the inexactitude of sight.
Art (n.) exists so that we shall not die of reality.
Art (n.) is a thing we have so as to not perish by the truth.
Art (n.) is that without which we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.
Art (n.) is the proper task of life.
Art (n.) is, when it is great art, at essence, gratitude.
Art (n.) is a kind of cult of the untrue which served to drastically soften the blow and make it bearable when science revealed to us that delusion and error are conditions of human knowledge.
Art (n.) is the business of the man who is recreating himself.
Art (n.) is without purpose and without morals — This struggle against art's purpose is always a struggle against the moral tendency in art - against its subordination to morality.
Art (n.) not morality — is the essential metaphysical activity of man.
Art (n.) knowledge of it is ours only as painted soldiers know the battle on the canvas.
Art (n.) is not only an imitation of natural reality but a metaphysical supplement to it, set beside it in order to overcome it.
Art (n.) can be slain by art: the impotent invoke the monumental masterpiece to make sure nothing monumental is ever made again.