An Error (n.) is also good in itself.
Error (n.) has made man so deep, sensitive, and inventive, for without it religions and arts could not have been possible.
Error (n.) is essential to humankind. Without those errors which lie in the assumption of morality, man would have remained an animal.
Error (n.) is the condition of human knowledge.
Error (n.) is the most expensive luxury that man can indulge in: and if the error happen to be a physiological one, it is fatal to life.
Error (n.) is not blindness but cowardice.
Error (n.) can be extraordinarily fruitful when entered greatly and naively: out of despair at recognizing it, Wagner came to comprehend modern success, the modern public and all modern artistic falsity.
Error (n.) made mankind profound, tender and inventive enough to flower into arts and religions; pure knowledge could never have done it.
Error (n.) does not become truth by being called unpleasant.
Error (n.) about its origin, uniqueness and destiny is how mankind raised itself on high — and how it brought unspeakable suffering into the world: men became suffering creatures through their moralities.
Error (n.) in the form of faith in the ideal is not blindness; error is cowardice.
Error (n.) is the most expensive luxury man can permit himself; what he has paid for most dearly are his "truths," for they have all been errors in physiologicis.
Error (n.) is willed by the force in all life — the precondition even of thought: before there is thinking there must have been inventing.
Error (n.) is cowardice: every achievement of knowledge is a consequence of courage, severity and cleanliness toward oneself.
Error (n.) is the harsh school mankind needs, not a moral education — for 'truth' disgusts and makes life wearisome.