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Modern man (n.) drags ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠around a huge quantity of indigestible stones of knowledge, which can sometimes be heard rumbling inside him.

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Modern man (n.) have ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠nothing of their own; crammed with the ages, customs and religions of others, they become walking encyclopaedias — 'Handbook of inward culture for outward barbarians'.

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Modern man (n.) stands ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠on the pyramid of the world-process calling to nature 'we are the goal, we are nature perfected' — but his knowledge does not perfect nature, it only destroys his own.

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Modern man (n.) is, ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠to the eye, gaudy patches for the naked and freezing, a dance of seeming joy exacted from sufferers, haughty pride worn by one wounded to the depths — wholly appearance, concealed rather than shown by what he represents.

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The Modern man (n.) who ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠builds a house feels he is immuring himself alive in a mausoleum.

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Modern man (n.) says ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠"we are real entirely, without beliefs" — a painting of everything that has ever been believed, sterile and so unable to believe.

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Modern man (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠multifarious, perhaps the most interesting chaos there has ever been: not the chaos before the creation of a world, but the one after.

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Modern man (n.) adjusts ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠his nature into a mirror: warmth and storm on a thin surface, a steady coolness just beneath — outward mobility over a deep weariness.